Argonaut plus Argonauto octopus, Argo. Illustration signée N (Frederick Nodder).. Coloriée à la gravure sur cuivre de George Shaw et Frederick Nodder's 'Le Naturalist's Miscellany' 1792.. Sciences Nodder Frederick (17511801 ?) était un artiste et graveur d'histoire naturelle. Nodder peaufine son travail de rédaction sur le capitaine Cook et Joseph Banks' Florilegium et gravure de Parkinson Sydney Australie croquis de plantes. Il a été fait "peintre botanique à Sa Majesté la Reine Charlotte' en 1785. Nodder a également appelé l'études botaniques dans Thomas Martyn's Flora Rustica (1792) et 38 (17 plaques

• Contributeur: Album
• ID de l’image: P54GJK
• Taille du fichier: 39,1 MB (1,3 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 4373 x 3126 px | 37 x 26,5 cm | 14,6 x 10,4 inches | 300dpi
• Photographe: Album

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Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Greater argonaut octopus, Argonauto argo. Illustration signed N (Frederick Nodder).. Handcolored copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany" 1792.. Frederick Polydore Nodder (1751~1801?) was a gifted natural history artist and engraver. Nodder honed his draftsmanship working on Captain Cook and Joseph Banks' Florilegium and engraving Sydney Parkinson's sketches of Australian plants. He was made "botanic painter to her majesty" Queen Charlotte in 1785. Nodder also drew the botanical studies in Thomas Martyn's Flora Rustica (1792) and 38 Plates (1799). Most of the 1, 064 illustrations of animals, birds, insects, crustaceans, fishes, marine life and microscopic creatures for the Naturalist's Miscellany were drawn, engraved and published by Frederick Nodder's family. Frederick himself drew and engraved many of the copperplates until his death. His wife Elizabeth is credited as publisher on the volumes after 1801. Their son Richard Polydore (1774~1823) was responsible for the plates signed RN or RPN. Richard exhibited at the Royal Academy and became botanic painter to King George III. The illustrations are characterized by vivid colouring, fine detail, and a certain posed stiffness in the ornithological portraits, perhaps because they were sketched from dead specimens.

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