Conception d'un couloir avec des détails en fer forgé. Artiste : Georges de Feure (français, Paris 1868-1943 Paris). Fiche technique : Dimensions : 9 3/4 x 17 5/16 in. (24,7 x 43,9 cm). Date : ca. 1925. Au début de sa carrière, Georges de Feure était beaucoup célébré pour la 'Femmes fatales' dans ses peintures et ses efforts dans le domaine de la conception intérieure et les arts décoratifs dessins qu'il a créé pour la céramique, l'argenterie, les bijoux, les textiles, les arts graphiques et les meubles dans les nouveaux de style Art Nouveau. Son travail a été promu par le célèbre marchand d'art Siegfried Bing (1838-1905), dont la Maison de l'Art Nouveau ha

• Contributeur: Album
• ID de l’image: PAKW4A
• Taille du fichier: 24,8 MB (1 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 4102 x 2112 px | 34,7 x 17,9 cm | 13,7 x 7 inches | 300dpi
• Photographe: Album

Informations supplémentaires

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Design for a Hallway with Wrought-iron Details. Artist: Georges de Feure (French, Paris 1868-1943 Paris). Dimensions: sheet: 9 3/4 x 17 5/16 in. (24.7 x 43.9 cm). Date: ca. 1925. In his early career, Georges de Feure was much celebrated for the 'Femmes Fatales' in his paintings and his endeavors in the field of interior design and the decorative arts. He created designs for ceramics, silverware, jewelry, textiles, the graphic arts and furniture in the newly emerged style of Art Nouveau. His work was promoted by the famous art dealer Siegfried Bing (1838-1905), whose Maison de l'Art Nouveau had inspired the naming of this new style in design. Bing commissioned De Feure to design two rooms in his stand at the Parisian Exposition Universelle of 1900, and in 1901 De Feure opened his own studio which would grant him more independence. After the death of Bing, the success of his works lingered however, and he directed his attentions elsewhere, first to aviation and after World War I he became active as a writer and designer for the theatre. It was not until 1924 when he would again take part in an exhibition of interior design. By this time, he had also become the director of the firm Schwartz-Haumont, a manufacturer of wrought iron work. It is likely that this position inspired the design for a hallway, which is characterized by its stylish wrought iron stair case, table and umbrella stand. Museum: Metropolitan Museum of Art, New York, USA.

Recherche dans la banque de photos par tags

• 1868-1943
• 1925
• 20 xx xxème siècle
• 20ième siècle
• 24,7 43,9 cm
• 2nd millennium a d
• 9 3/4 x 17 5/16
• années 1920
• art nouveau
• femmes fatales