L'agonie dans le jardin, de la Passion du Christ. Artiste : Hendrick Goltzius (1558-1617 Mühlbracht Russisch, Haarlem). Fiche technique : Dimensions : 8 1/16 x 5 3/8 in. (20,5 x 13,7 cm). Date : 1597. Entre 1596 et 1598 Goltzius gravé cette série de douze estampes illustrant la Passion du Christ. Ils reflètent l'influence de l'artiste Russisch Lucas van Leyden, aussi bien dans la figure types et la technique de gravure. À la différence de son style graphique normale, qui a été caractérisé par une ligne spectaculaire qui se gonfle et s'effile vers les chiffres et l'arrière-plan, ici Goltzius utilisent de minces

• Contributeur: Album
• ID de l’image: RFAP3J
• Taille du fichier: 34,1 MB (2,9 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 2846 x 4187 px | 24,1 x 35,4 cm | 9,5 x 14 inches | 300dpi
• Photographe: Album

Informations supplémentaires

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

The Agony in the Garden, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.7 cm). Date: 1597. Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin. The Passion of Christ was extremely popular during Goltzius's own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius's own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius's original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS. After Hendrick Goltzius. Ludovicus Siceram. Hendrik Goltzius.

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• 12,9 cm
• 1558-1617
• 1596
• 1597
• 1598
• 1598-1617
• 16 16th xvi xvith sixteenth century
• 1623
• xvi th century
• xvii century