L'industrie et de l'oisiveté, l'industrieux Prentice sont enrichis et shérif de Londres 8 le personnel de l'industrie de la plaque d'opulence chaises fauteuil
3738 x 2717 px | 31,6 x 23 cm | 12,5 x 9,1 inches | 300dpi
Date de la prise de vue:
2011
Informations supplémentaires:
The Industrious 'Prentice grown rich, & Sheriff of London Plate 8 shows the opulence that industry has produced (or rather, allowed to be procured): the couple sit in state at the far end of the table (Just to the right of the man in the foreground with the staff) on chairs, apparently in state. His chair has the sword of state on its right arm and on her left the crowned mace. A significant portion of this plate is taken up with a related satire of gluttony, which takes place in the left foreground. In particular, the two on the far right warn that even earned riches are as susceptible to squander and waste as any other. Industry and Idleness is the title of a series of 12 plot-linked engravings created by William Hogarth in 1747, intending to illustrate to working children the possible rewards of hard work and diligent application and the sure disasters attending a lack of both. Unlike his earlier works, such as A Harlot's Progress (1731) and Marriage à-la-mode (1743), which were painted first and subsequently converted to engravings, Industry and Idleness was created solely as a set of engravings. Each of the prints was sold for 1 shilling each so 12 for the entire set, which is equivalent in purchasing power to approximately 80 GBP as of 2005. It may be assumed that these prints were aimed for a wider and less wealthy market than his earlier works. The originals currently reside at the British Museum.
