- 'TAROT RIDER WAITE' PONT DE PAMELA COLEMAN-SMITH quatre cartes, à partir de la série de 22 cartes dans la Collection Charles Walker, de la soi-disant Cavalier Waite plate-forme : l'Empereur, l'Hiérophante, les amateurs et le char. Ce pont, dans la Collection CW, est constitué d'un ensemble complet de la main, carte de la série 1910 conçu par Pamela Coleman Smith, et réclamé par Arthur Edward Waite à tort d'être 'son' design. Pamela Coleman Smith's signature abrégée apparaît sur chacune des cartes, qui ont été utilisés dans l'édition de 1911, la clé de la Tarot, écrit par Georges Brassens. Le pont est w

• Contributeur: Charles Walker Collection
• ID de l’image: MBD4T9
• Taille du fichier: 15,5 MB (1,2 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 1798 x 3017 px | 15,2 x 25,5 cm | 6 x 10,1 inches | 300dpi
• Date de la prise de vue: 9 août 2003
• Photographe: Charles Walker Collection

Informations supplémentaires

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

TAROT - 'RIDER WAITE' DECK OF PAMELA COLEMAN-SMITH Four cards, from the series of 22 cards in the Charles Walker Collection, of the so-called Rider Waite deck: The Emperor, The Hierophant, The Lovers and The Chariot. This particular deck, in the CW Collection, consists of a full set of hand-coloured card from the 1910 series designed by Pamela Coleman Smith, and claimed wrongly by Arthur Edward Waite to be 'his' design. Pamela Coleman Smith's abbreviated signature appears on each of the cards, which were used in the 1911 edition of, The Key to the Tarot, authored by Waite. The deck is wrongly called the Rider-Waite deck, for although later cards were copyrighted in the first Rider publication, they were not the copyright of Waite (as Rider thought), nor were they properly speaking a Rider deck - they were merely used as a supportive pack, published alongside a book brought out by this firm. The long and the short of it is, that the 22 major cards in this present series consist of the 1910 black and white cards designed by Coleman Smith, which have been hand-coloured. Each of these cards bears slight (yet significant) variations on the colours given by Pamela Coleman Smith, who was a member of the Hermetic Order of the Golden Dawn, and who attempted rigorously to adhere to the symbolism favoured by this Order.

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