. Walks in London . e Rev. W. G. Humphrys Histoire de la paroisse de St. Martins dans theHplens. t le mot mâcher a été appliqué par les fauconers à la mue des oiseaux i il est le mot français mue, dérivé de la nufare latine, de changer. X ihe Aational Gallery est ouvert au public les lundis, mardis, mercredis-jours, et samedis : les jeudis et vendredis, il est ouvert aux étudiants seulement. Les heures d'admission sont de 10 à 5 de novembre à avril, et de 10 à 6 à Niay, juin, juillet, août, et la première quinzaine de septembre. Pendant les deux dernières semaines de septembre et tout le mois d'octobre la Galerie

• Contributeur: Reading Room 2020
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. Walks in London . e Rev. W. G. Humphrys History of the Parish of St. Martins in theHelds. t The word mew was applied by falconers to the moulting of birds i it is theFrench word mue, derived from the Latin tnufare, to change. X ihe Aational Gallery is open to the public on Mondays, Tuesdays, Wednes-days, and Saturdays : on Thursdays and Fridays it is open to students only. Thehours of admission are from 10 to 5 from November to April, and from 10 to 6 inNiay, June, July, August, and the first fortnight in September. During the lasttwo weeks of .September and the whole of October the Gallery is closed. 8 WALKS IN LONDON, portico has been utterly ruined by the destruction ofNorthumberland House. This unhappy structure may be said to have everything it oughtnot to have, and nothing which it ought to have. It possesses windowswithout glass, a cupola without size, a portico without height, pepper-boxes without pepper, and the finest site in Euiope without anythingto show upon it, —All the Year Round, 1862.. Northumberland House—from the National Gallery. The National Collection of pictures originated in thepurchase of Mr. Angersteins Gallery on the urgentadvice of Sir George Beaumont, who added to it his owncoFection of pictures, in 1824. It has since then beenenormously increased by donations and purchases. Asum o. ;j{^io, ooo is annually allotted to the purchaseof pictures. The contents of the gallery were rehung in 1 THE NATIONAL GALLERY, 9 1876, when many new rooms were opened, which allow anadvantageous arrangement of the pictures, but are full ofmeretricious taste in their upper decorations, and of tawdrycolour injurious to the eftect of the precious works of artthey contain. The collection (according to the numbersattached to the Rooms) begins with the specimens of theBritish school but alas ! the curators are only beginning torealise the truth of Ruskins advice tfiat— It is of the highest importance that the works of each mastershould be kept together; no

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