L'Ange de l'Annonciation (dessin animé pour une broderie) 1466–1524 Raffaellino del Garbo (également connu sous le nom de Raffaelle de' Capponi et Raffaelle de' Carli) Italien Maître designer pour les broderies de la Renaissance, Raffaellino del Garbo était un élève de Filippino Lippi (ca.1457-1504) et un dessinateur doué.Acheté par le Musée de New York en 1912 comme une œuvre de Filippino Lippi , cette délicate caricature (dessin à grande échelle) était l'un des nombreux modèles de Raffaellino pour les figures brodées: Les lignes de contour intérieur et extérieur de cette étude étaient en fait soigneusement piquées pour le transfert.AG

• Contributeur: MET/BOT / Alamy Banque D'Images
• ID de l’image: 2HH418E
• Taille du fichier: 11,5 MB (507 KB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 2006 x 2000 px | 34 x 33,9 cm | 13,4 x 13,3 inches | 150dpi
• Date de la prise de vue: 21 janvier 2022

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The Angel of the Annunciation (Cartoon for an Embroidery) 1466–1524 Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) Italian A master designer for embroideries in the Renaissance, Raffaellino del Garbo was a pupil of Filippino Lippi (ca. 1457-1504) and a gifted draftsman. Purchased by the Museum in New York in 1912 as a work by Filippino Lippi , this delicate pricked cartoon (full-scale drawing) was one of many made by Raffaellino as models for embroidered figures: the inner and outer contour lines of this study were in fact carefully pricked for transfer. Garzelli (1973) identified a badly damaged embroideredd fragment with the archangel of the Annunciation and a composition similar to that of the present drawing on a chasuble at the collegiate church of San Martino at Pietrasanta. Although the physical evidence confirms that this sheet was a highly functional working drawing, a number of small differences in design suggest that it was not directly used to produce the Pietrasanta embroidery. It seems possible that Raffaellino produced at least few variations on the Annunciate-angel type –given the popularity of the Annunciation in Renaissance textiles as well as his extensive use of spolvero-based techniques of design reproduction in his countless extant drawings.The figural type and the delicacy of line and white gouache heightening are typical of Raffaellino's drawings and reflect the impact of his master Filippino Lippino, especially his tondos of 1483-84 in the Museo Civico of San Gimignano and his 'Adoration of the Chirst' of about 1495-97 in the Alte Pinakothek of Munich - paintings that probably date more than twenty years earlier than Raffaellino's small sheet.. The Angel of the Annunciation (Cartoon for an Embroidery). Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) (Italian, San Lorenzo a Vigliano, near Florence, ca. 1470–after 1527 Florence). 1466–1524. Pen and brown ink, brus