Le studio international. Lance dans ces chambres vous fera plaisir que l'anglo-saxon])aLnter est plus approprié que de ne pas faire ses canaux d'apaisement qui se trouvent dans les abovecategories. M. Simss Paslorella, qui s'est entruré, de ne pas dire écrasé, par la reconnaissance haut-officielle, est mince en substance et piquant poétique et arcadien en sentiment. C'est une scène aguely classique filtrée par un tempérament de dernier jour, et ne possède ni la richesse, la sérénité ni le don profond de sug-gestion qui marque Rene Menards BiicoUque, inostensiblement placé dans un proche

• Contributeur: The Reading Room / Alamy Banque D'Images
• ID de l’image: 2AX751N
• Taille du fichier: 7,1 MB (262,7 KB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 1469 x 1700 px | 24,9 x 28,8 cm | 9,8 x 11,3 inches | 150dpi

Informations supplémentaires

Cette image appartient au domaine public, ce qui signifie que le droit d’auteur a expiré ou que le titulaire du droit d’auteur a renoncé à ses droits. Les frais facturés par Alamy couvrent l’accès à la copie haute résolution de l’image.

Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

International studio . lance at these rooms will besufficient to con-ince you that the Anglo-Saxon])aLnter is more apt than not to make his appealthrough channels which fall within the abovecategories. Mr. Simss Paslorella, which has beencrowned, not to say crushed, by the highestofficial recognition, is slender in substance andtvpically poetic and arcadian in feeling. It is aaguely classic scene filtered through a latter-day temperament, and possesses neither the rich-ness, the serenity nor the profound gift of sug-gestion which mark Rene Menards BiicoUque, inconspicuously placed in a nearby room. Onlya jurj^ endowed with the most responsive, not tosaj rarefied, sensibilities could have awarded thiscomposition initial honors. Displajdng on our own part considerably lessaptitude for themes Horatian or Homeric, thenative-bom artist turns his attention to subjectsnearer at hand, yet the spirit of his work remainsmuch the same. Vou will find in Mr. .AlexandersPhyllis and other canvases a persistent easion of. PORTRAIT OF KIS bV MCOLAa FECHIN International Art at Pittsburgh the problem of direct representation, and in TheRecitation, by Mr. Dewing, an even more im-plicit reliance upon the purely emotional suscep-tibility of the spectator. Leaving the realm offigure painting with a passing glance at MissBeauxs arm-entwined summertime couple andMr. Reids purple, russet and mauve apparitionentitled Autumn Leaves, you will encounter in thelandscapes of Mr. Murphy, Mr. Crane, Mr. Ocht-man, Mr. Metcalf and a full score of othersqualities which are substantially identical. There are American artists who do not belongto this particular school and who are less con-genitally timid in their outlook, witness about youthe more sturdy vision of Mr. Redfield, Mr.Schofield, Mr. Symons, Mr. Ritschel and one ofthe youngest and most individual of all—Mr.Garber—but for the most part our painting hasnot as yet emerged from the seductive and notinfrequently sterilizing magic of mood. Po

Recherche dans la banque de photos par tags

• bookcentury180
• booksubjectart