. Les oeuvres dramatiques de William Shakespeare, illustré : embrasser une vie du poète, et les notes, et d'origine sélectionné. atience alors, et le vôtre nos pièces ; ^vos mains douces, et prêtez-nous prendre nos cœurs. [Exeunt. 1 i. e. nous entendre sans interruption, et prendre nos pièces, i. e. anddefend 446 nous soutenir ce jeu a beaucoup de scènes très agréable, bien que pas suffisamment probable,et certains caractères heureux, même si ce n'est pas nouvelle, ni produit par deepknowledge tout de la nature humaine. Parolles est un boaster et lâche, comme a toujours été le sport de la scène, mais peut-être n'avait jamais soulevé morelaughter ou docu

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. The dramatic works of William Shakspeare, illustrated : embracing a life of the poet, and notes, original and selected. atience then, and yours our parts; ^Your gentle hands lend us, and take our hearts. [Exeunt. 1 i. e. hear us without interruption, and take our parts, i. e. support anddefend us 446 This play has many delightful scenes, though not sufficiently probable, and some happy characters, though not new, nor produced by any deepknowledge of human nature. Parolles is a boaster and a coward, suchas has always been the sport of the stage, but perhaps never raised morelaughter or contempt than in the hands of Shakspeare. I cannot reconcile my heart to Bertram—a man noble without generos-ity, and young without truth; who marries Helen as a coward, and leavesher as a profligate; Avlien she is dead by his unkindness, sneaks home toa second marriage, is accused by a woman he has wronged, defends him-self by faisenood, and is dismissed to happiness. The story of Bertram and Diana had been told before of Mariana andAngelo, and, to confess the truth, scarcely merited to be heard a sec-ond time. Johnson.. c-^///.^v:/., riMiKb V Tii£ -vinaw 447 TAMING OF THE SHREW. PRELIMINARY REMARKS. There is an old anonymous play extant, ?with the same title, firstprinted in 1596, which (as in the case of King John and Henry V.} Shak-speare reivrote, adopting the order of the scenes, and inserting littlemore than a few lines which he tliought worth preserving, or was in toomuch haste to alter. Malone, with great probability, suspects the oldplay to have been tlie production of George Peele or Robert Greene.*Pope ascribed it to Shakspeare, and his opinion was current for manyyears, until a more exact examination of the original piece (which is ofextreme rarity) undeceived those who were better versed in the literatureof the time of Elizabeth than the poet. It is remarkable that the Induc-tion, as it is called, has not been continued by Shakspeare so as to com-plete the story of Sl

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