Pilar Dalbat a développé une méthode de travail qui lui est propre grâce à son lien avec l'architecture et la défense et la mise en valeur des espaces patrimoniaux. Le choix des espaces dans lesquels elle présente ses collections est à l'origine du processus créatif de chaque collection, travaillant sur les collections d'une manière globale et concevant la scène sensorielle qui va au-delà des formats habituels. Ses collections exclusives sont présentes dans les salles d'exposition et les points de vente les plus prestigieux de notre pays et à l'étranger. Sa ligne de travail se caractérise par une vision contemporaine de la mode capable de créer des vêtements dont des
3712 x 5568 px | 31,4 x 47,1 cm | 12,4 x 18,6 inches | 300dpi
Date de la prise de vue:
14 septembre 2022
Informations supplémentaires:
Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.
Pilar Dalbat has developed a working method that is her own through her link with architecture and the defense and enhancement of heritage spaces. The choice of spaces in which it presents its collections is the origin of the creative process of each collection, working on the collections in a global way and conceiving sensory staging that goes beyond the usual formats. Its signature collections are present in the most prestigious showrooms and points of sale in our country and abroad. His line of work is characterized by a contemporary vision of fashion capable of creating garments whose design stands the test of time. The brand presents its collections twice a year at MBFWM. She has paraded as a guest designer at RFW (Russian Fashion Week), in Paris and in the Czech Republic and has presented her collections repeatedly in Tokyo. Pilar collaborates with artists from very diverse fields and teaches at the University of Granada as well as at many of the Art Schools and fashion teaching centers in Spain. The concept of “capable solid” has been the guiding principle of this collection. Collected in the theories on restoration and intervention of monuments, it defends that when "a part is missing", it is remade so that it is confined to an intervention that recovers the image of continuity, devoid of any element that falls within the "false history". Pilar Dalbat's team discovered this work formula thanks to the intervention carried out on the Nasrid wall of Granada; incomplete, historically fractured and masterfully recovered in 2006 applying this concept. The collection completes the work of recent years looking for those gaps to propose garments and silhouettes following the line of work that has built its DNA. Pilar and her team add contained volumes that seek to generate harmony. They interpret looking for their roots in their closest environment, without reproducing the most immediate elements of the imaginary of Andalusian author fashion, facilitating the
