Villa Wangchuan. Artiste : Wang Yuanqi (Chinois, 1642-1715). Culture : la Chine. Dimensions : Image : 14 in. x 17 pi. 10 3/4 in. (35,6 x 545,5 cm) dans l'ensemble avec support de montage : 14 3/8 po x 34 pi. 7 1/2 in. (36,5 cm) x 1055.4. Date : du 1711. L'élégante Villa Wangchuan situé dans les collines pittoresques à la périphérie de la dynastie Tang (618-907), la capitale Chang'an (actuelle Xi'an), est l'un des plus célèbres jardins de la Chine ancienne. La divagation estate avec un paysage spectaculaire était la retraite du poète, musicien, peintre de paysages et de Wang Wei (699-759). Presque mille ans plus tard, Wang Yuanqi-nous

• Contributeur: Album / Alamy Banque D'Images
• ID de l’image: RFD4MH
• Taille du fichier: 30,9 MB (1,6 MB Téléchargement compressé)
• Autorisations: Modèle - non | Propriété - non
• Dimensions: 4280 x 2521 px | 36,2 x 21,3 cm | 14,3 x 8,4 inches | 300dpi
• Photographe: Album

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Cette image peut avoir des imperfections car il s’agit d’une image historique ou de reportage.

Wangchuan Villa. Artist: Wang Yuanqi (Chinese, 1642-1715). Culture: China. Dimensions: Image: 14 in. x 17 ft. 10 3/4 in. (35.6 x 545.5 cm) Overall with mounting: 14 3/8 in. x 34 ft. 7 1/2 in. (36.5 x 1055.4 cm). Date: dated 1711. The elegant Wangchuan Villa situated in the picturesque hills on the outskirts of the Tang dynasty (618-907) capital, Chang'an (modern Xi'an), is one of the most famous gardens of ancient China. The rambling estate with spectacular scenery was the retreat of the poet, musician, and landscape painter Wang Wei (699-759). Almost one thousand years later, Wang Yuanqi used a rubbing of a Wangchuan composition etched into stone in 1617 for the general outlines of his painting and referred to Wang Wei's poems to guide his inspiration. In a colophon appended to the painting, Wang Yuanqi expresses satisfaction that he has captured some of Wang Wei's idea of "painting in poetry and poetry in painting." Tutored in painting by his grandfather Wang Shimin (1592-1680), Wang Yuanqi followed the lead of Dong Qichang (1555-1636), the first artist to transform landscape structure in painting by means of abstract compositional movements known as "breath force" (qishi). Inspired by the archaic convention of ringed mountain motifs in the engraving, Wang Yuanqi created "dragon veins" (longmo), through which the cosmic "breath force" vigorously flows. Calligraphic brush formulas suddenly become torrents of writhing, churning rock forms, rising and falling like waves. Museum: Metropolitan Museum of Art, New York, USA.

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• 10 3/4
• 14
• 1642-1715
• 1644-1911
• 35,6 x 545,5 cm
• 618-907
• 699-759
• asian art
• asie
• la chine ancienne