. Bulletin. De l'ethnologie. ] DBNSMOBB 129 CHIPPEWA MUSIC II lorsque le fumeur de pipe de la paix a été terminée, les Warriors se sont serré la main, et les Sioux ont été offerts l'hospitalité du camp de Chippewa. Après la formation d'un pacte de paix les deux tribus campé près de l'autre pendant un certain temps et les danses sociales ont eu lieu chaque soir ; celles-ci ont été appelés ca'wlino'ga (sud de la danse). Odjib'nous a déclaré qu'il n'en ca'o^ino'ga chansons ont été chantées à la danse de la paix et que ces chansons ont été chantées à aucun autre moment. On présente parfois donnée, mais l'échange de cadeaux n'est pas une caractéristique essentielle, comme dans

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. Bulletin. Ethnology. DBNSMOBB] CHIPPEWA MUSIC II 129 When the smoking of the peace pipe was finished, the opposing warriors shook hands, and the Sioux were offered the hospitality of the Chippewa camp. After the forming of a peace pact the two tribes camped near each other for some time and social dances were held every night; these were called ca'wlino'ga (southern dance). Odjib'we stated that only ca'w^ino'ga songs were sung at the peace dances and that these songs were sung at no other time. Presents were sometimes given, but the exchange of gifts did not form an essential feature, as in the woman's dance (see p. 38). A woman sometimes beckoned to a gayly arrayed young man, threw her blanket over his head, and took some of his finery as they danced together. It is said that the ca'wtino'ga songs were particularly pleasing and that the people were so carried away with the excitement that the dance often lasted all night. The origin of the ca'wtino'ga was thus described by Na'waji'- bigo'kwe: The ca^wiino''ga is a very old dance and was first a dance for healing. It was not to cure people who were very ill, for that was done by the Mide', but it was for people who were not in good health. The South Manido^ taught this dance to a very good young man whose relatives were ill. It is called ca^wdno^ga because it came from the South Manido^, and the people who first used it were people living south of the Chippewa country. The young man got up the dance as he was instructed by the South Manido^ and his relatives recovered. Afterward the dance was used as a social dance, and the songs are particularly pleasing. No. 46. Ca'wiino^ga Song (a) Sung by Odjib'we Voice J â 88 Drum J = 104 (Drum-rhythm similar to No. 2) (Catalogue No. 354). ^_^ S! £ t t T=r- I â , âh T' Analysis.âThis song should be regarded as one of those fugitive melodies in which the signature indicates the pitch of the tones rather 67990°âBull. 53â13 9. Please note that these images are extract

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